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Gabriel was the owner/director of independent arts venues in Vancouver and Montreal and is co-founder of Salmon River Studios- an educational art studio, artist residency and cultural events space located on his farm in Tamworth, Ontario. Deerman completed an MFA at Transart Institute (New York / Berlin), a BFA from the Emily Carr University of Art and Design in Vancouver, British Columbia, is a practicing and certified art instructor and has exhibited internationally. Participants are encouraged to bring watercolour paints and brushes, as well as printed/drawn images (8"x10") to use as source material (for tracing) if they wish.About the Instructor: Gabriel Deerman (1979, Bolinas, California, USA) has a practice that is largely grounded in painting, drawing and printmaking but recent forays into sculpture, kinetic devices and installation are leading steadily away from disciplinary categorization. Each participant will have time to print at least 2 plates. While monotype is simple and direct the visual look of the prints and broad possibilities for experimental applications are limitless.Provided materials: Paper, acrylic printing ink, watercolour paint, gum arabic, use of 8"x10" plexiglass plates and etching press.High quality Arches printmaking paper will be available for a small fee of $2 per 9"x11" sheet (store cost). The simplicity of the process, forgiving nature of the materials and immediate results make this technique very popular among painters and those who find printmaking to be too process intensive and finicky. Each participant will have time to produce and print two plates, resulting in finished original works on paper. In this workshop artist Gabriel Deerman will introduce you to monotype printing with watercolour and acrylic paints. To paper using an etching press or pin press - creating one of a kind Paint to a plate (in this case plexi glass) and transferring that image Register to attend at Monotype printing is a painterly and direct process of applying ink or Monotype has its own unique form of expression and certain types of marks and imagery can only be achieved using the monotype process. Step 7: Gently peel back your paper from the plate to reveal your monotype.March 23 / 6:00-9:00pm / Toronto School of Art, 980 Dufferin Street - Second Floor, Studio #21$25/person - materials included - Suitable for all experience levels. Roll your print through the press at a consistent speed without stopping. Lay your rag paper gently on top of the glass.

Take your Plexiglas to the printing press and lay it with the ink side up. Step 6: Make sure that the tension is correct on your printing press. Step 5: When you are finished wiping all the lighter areas out, you are ready to move on. Step 4: Use a rag, Q-tip, or brush to wipe away the areas that you want to represent lighter values. Step 3: Use the brayer to cover the entire surface of the Plexiglas. Roll the brayer forward, then backward, then forward to the left, then backward, then forward to the right, and so on.

Step:2 Apply a small bead of ink to a surface. Charge the brayer by rolling it back and forth gently over the ink. A sheet of Plexiglas sized to match desired print. A brayer (a small roller used to apply ink- can be purchased at an art store). Make sure it lines up with the outer edges of the paper. Place the plastic sheet on top of the folded paper. (Downloads - LargeBox.pdf) Open up all the folds and place the paper on your desk with the X facing down. (Water-based or oil-based) A small tray or surface to apply your ink. Steps Step One Follow steps 1 - 3 of the instructions to fold the paper for the TOP of your box. Use a metal ruler to help in tearing the paper. Were going to be doing a print making process in the comfort of your own home or studio space. So the class is exactly what the title says. You will need rag paper that has been torn to match your desired print size. Its Jennifer Beller, Sac Korean and this class is titled Printmaking at Home Trace Monotypes.

2pm - 4pm 2-Day Workshop of 5 hours each day.

Monotypes are usually created by applying printing ink (oil or water-based) to a non-porous surface like plexiglass.Ink is removed from the surface with a rag, Q-tips, or brushes.

Monoprinting, despite the name, usually produces more than one print. Monotype creation differs from monoprinting because usually only one image is created.